Electronic Theses and Dissertations
Identifier
131
Date
2010
Document Type
Dissertation (Access Restricted)
Degree Name
Doctor of Philosophy
Major
Philosophy
Committee Chair
Thomas Nenon
Committee Member
Bill E. Lawson
Committee Member
Deborah Tollefsen
Committee Member
Robert Bernasconi
Abstract
The history of Western philosophy tends equate the status of being historical for a people to the status of being a politically organized state. This equation fails to acknowledge the historicality of peoples and individuals, who have not united as states, for example, tribes, nomadic peoples, diasporic peoples, or oppressed groups under the dominance of a state. To legitimize the historicality of people regardless of membership in a state, the dissertation attempts to construct a broader understanding of historicality. To this end, I appeal to Heidegger's account of historicality as it emerges from his account of the work of art. I find in Heidegger's account a broader understanding of historicality as he provides an alternative to the previous ideas by offering the idea of language as poetry for grounding the essence of historicality. Yet, I proceed to criticize his account to the extent it leads to shared assumptions with the promoters of European colonialism. To juxtapose Heidegger's account with a non-eurocentric account of historicality from the perspective of the colonized, I conclude by referring to various thinkers in post-colonial theory, such as Frantz Fanon and Aurora Levins Morales, and by providing critical remarks from a personal personal perspective.
Library Comment
Dissertation or thesis originally submitted to the local University of Memphis Electronic Theses & dissertation (ETD) Repository.
Recommended Citation
Yazici, Cigdem, "The Idea of Historicality in Heidegger's Account of the Work of Art" (2010). Electronic Theses and Dissertations. 2288.
https://digitalcommons.memphis.edu/etd/2288
Comments
Data is provided by the student.