Electronic Theses and Dissertations
Identifier
285
Date
2011-04-25
Document Type
Thesis (Campus Access Only)
Degree Name
Master of Arts
Major
Art History
Committee Chair
Todd M. Richardson
Committee Member
Fred Albertson
Committee Member
Victor Coonin
Committee Member
Carol Crown
Abstract
Among the many images of blood that inundated Western Europe during the fourteenth and fifteenth centeruies, arguably the most pervasive were those associated with the Passion of Christ. This study visually analyzes the blood of Christ, imagery that would have been relevant to Fra Angelico, partiularly as an Observant Dominican friar in fifteenth-century Florence. Arguing that Angelico rendered the blood of Christ not only deliberately, but also within the parameters of orthodox Dominican theology, the thesis considers the individual characteristics of the representation of blood by Angelico and asserts particular themes suggested by the blood's appearance, composition and relationship to other motifs in the paintings. Some of the topics considered in the research include Christ's blood as eucharistic evidence, Christ's blood as divine, and Christ's flesh as formed from Mary's pure blood.
Library Comment
Dissertation or thesis originally submitted to the local University of Memphis Electronic Theses & dissertation (ETD) Repository.
Recommended Citation
Wagner, Deborah E., "The Figure of Blood in the Works of Fra Angelico" (2011). Electronic Theses and Dissertations. 2343.
https://digitalcommons.memphis.edu/etd/2343
Comments
Data is provided by the student.