Electronic Theses and Dissertations
Date
2022
Document Type
Dissertation
Degree Name
Doctor of Musical Arts
Department
Music
Committee Chair
William Shaltis
Committee Member
Albert Nguyen
Committee Member
Scott Hines
Committee Member
Jack Cooper
Committee Member
Kenneth Kreitner
Abstract
The purpose of this dissertation is to discuss the contributions to steel pan literature by Andy Akiho, a biographical sketch of him, and to create a performance practice of his Synesthesia Suite. Information regarding the other types of steel pans—double seconds, double tenors, cellos/cello guitars, and basses—will be addressed briefly, such as the ease or difficulty performing the Synesthesia Suite on these instruments. Nonetheless, the C-lead tenor pan will be the primary instrument discussed in this document. This dissertation will also examine the experiences that Andy Akiho has with his form of synesthesia and how it has influenced his compositional style. Synesthesia and Chromesthesia (a sub form of synesthesia) will be considered with the purpose of connecting Akiho’s synesthetic experiences with his compositional techniques in developing the Synesthesia Suite. The final objective of this research is to analyze and compare the works of the Synesthesia Suite by Andy Akiho considering melody, harmony, form, rhythm, and performance techniques which will assist the performer in learning these works efficiently. This research is informed by the interviews with Andy Akiho.
Library Comment
Dissertation or thesis originally submitted to ProQuest.
Notes
Open access
Recommended Citation
Williams, Jessica Marie, "THE SYNESTHESIA SUITE: The Color Pieces of Andy Akiho" (2022). Electronic Theses and Dissertations. 3420.
https://digitalcommons.memphis.edu/etd/3420
Comments
Data is provided by the student.