Electronic Theses and Dissertations Archive
Date
2026
Document Type
Dissertation
Degree Name
Doctor of Musical Arts
Department
Music
Committee Chair
David Spencer
Committee Member
Albert Nguyen
Committee Member
Jack Cooper
Committee Member
Jeremiah Frederick
Abstract
This study is a performance guide to Concerto for Trumpet #3 – Concerto for Hope by James Stephenson. Biographical information on James Stephenson and Ryan Anthony, the subject of the concerto, is also provided. It examines the work for trumpet, its origin, symbolism, compositional approach, elements of theoretical analysis, and proper application of style based on the subject matter. Pedagogical advice is also provided throughout the guide to help musicians preparing this piece prepare efficiently and effectively for a successful performance. Additional material is provided discussing differences between ensemble instrumentations, as well as performance suggestions regarding antiphonal instruments as they are pertinent to the original composition. My inspiration for this research paper originated in 2018 hearing the concerto performed by Ryan Anthony live at the National Trumpet Competition in Denton, Texas. At the time, I was only tangentially aware of Ryan Anthony as a professional trumpet player I would frequently listen to online. I had no clue at the time that this piece held so much emotional weight. The standing ovation in a performance hall full of trumpet players was a well-deserved thunderous applause which seemed endless.
Library Comment
Dissertation or thesis originally submitted to ProQuest/Clarivate.
Notes
Open Access
Recommended Citation
Helms, Brandon Tyler, "RYAN ANTHONY AND THE CONCERTO FOR HOPE: AN APPLICATION OF SYMBOLISM AND PERFORMANCE GUIDE TO THE THIRD TRUMPET CONCERTO BY JAMES STEPHENSON" (2026). Electronic Theses and Dissertations Archive. 3967.
https://digitalcommons.memphis.edu/etd/3967
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