Electronic Theses and Dissertations Archive
Date
2026
Document Type
Thesis
Degree Name
Master of Fine Arts
Department
Art
Committee Chair
Hamlett Dobbins
Committee Member
Hamlett Dobbins
Committee Member
Lisa Williamson
Committee Member
Richard Lou
Abstract
My thesis work, Dixie Knights , Dissonance and Contradictions uses painting, ceramics, illustration, and installation to ask, “What does it mean to be Southern in contemporary times?” Using Willie Morris’s opening statements in The Southern Album, it is grappled through a post-digital lens. The works use collaged quilt patterns, pixelized video game references, surreal interior/exterior spaces, art historical dialogue and auto-biographical details. These motifs explore the complexities of how Southerness is impacted by class, history, race, occupation, being in a state of constant cognitive dissonance, and cultural synthesis that occurs when different moments of influence come together to create new worlds. The element of cognitive dissonance is reinforced through different visual languages coexisting in the compositions. A conversational method of creating and depicting imagery is congruent throughout the mediums represented. Terminology: post-digital, surrealism, cognitive dissonance, cultural synthesis.
Library Comment
Dissertation or thesis originally submitted to ProQuest/Clarivate.
Notes
Open Access
Recommended Citation
Kennedy, Isaiah, "Dixie Knights, Dissonance and Contradictions" (2026). Electronic Theses and Dissertations Archive. 4030.
https://digitalcommons.memphis.edu/etd/4030
Comments
Data is provided by the student.