Thomas the marvellous: Resurrection and living-death in Blanchot and Nancy

Abstract

Providing an overarching interpretation of Thomas the Obscure and all of Blanchot's work, Nancy in La Déclosion presents a powerful reading of death and resurrection. It is only by privileging L'Espace littéraire and a certain interpretation of death, I suggest, that Nancy can argue for the mundaneness of resurrection rather than its "fantastic" or "miraculous" nature.

Publication Title

Mosaic

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