Submissions from 2022
Integrating Library Resources in a Learning Management System: Exploring Instructor Obstacles and Motivations, Kenneth Haggerty, Caitlin Harrington, and Rachel Scott
Submissions from 2021
ON THE VOICE: Seven Essentials for Developing Voices in Choir: Part 1., Francis Cathlina
Influences on teacher efficacy of preservice music educators, Ryan A. Fisher, Nancy L. Summitt, Ellen B. Koziel, and Armand V. Hall
Effects of teaching experience and culture on choral directors' descriptions of choral tone, Emily Y. Frizzell and Leah Cathryn Windsor
Developing and Evaluating the Arts Entrepreneurship Profile: A Systematic Approach, Josef Hanson
On Barbecue, Carl Hess
Together in the Same Zoom Room, Carl Hess
“Straight Outta Nashville”: Allusions to Hip Hop in Contemporary Country Music, Jeremy Orosz
Tristan Quotations in Alban Berg’s Opera Lulu and Berg’s Late Style, Jeremy Orosz
Newspapers and the Persisting Usefulness of Microfilm: A Matter of Context, Joel Roberts
Exploring open access practices, attitudes, and policies in academic libraries, Rachel Elizabeth Scott, Caitlin Harrington, and Dubnjakovic
Submissions from 2020
NASIG Core Competencies: Building a Bridge to the LIS Curricula and Job Responsibilities, Cris Ferguson and Caitlin Harrington
A Comparison of Facial Muscle Activation for Vocalists and Instrumentalists, Ryan A. Fisher, Aubrey R. Hoult, and W. Steven Tucker
Publisher Platforms and NISO’s PIE-J, Sarah Glasser, Heather Otrando, Zhu, and Caitlin Harrington
Effectual thinking and music education: One view of creative adaptation in an underserved urban middle school, Josef Hanson
Technical services librarians and outreach: Communicating our value to engage students in critical thinking about information, Caitlin Harrington and Rachel E. Scott
Bridge the Divide, Carl Hess
Introduction: Phenomenological Aesthetics as Logos of the Sensible, Kwok Ying Lau and Thomas Nenon
Preface, Kwok Ying Lau and Thomas Nenon
A Husserlian Account of the Power of the Imaginary, Thomas Nenon
Preface, Thomas Nenon
Seebohm and Husserl on the Humanities, Thomas Nenon
Submissions from 2019
Leveraging existing frameworks to support undergraduate primary source research, Brigitte Billeaudeaux, Rachel E. Scott, and Rachel Scott
Evolutionary music education: Robert W. Claiborne and the way man learned music (1927), Josef Hanson
Meta-Analytic Evidence of the Criterion Validity of Gordon’s Music Aptitude Tests in Published Music Education Research, Josef Hanson
A History of the Center for Advanced Research in Phenomenology, Inc., Thomas Nenon
Important Twentieth Century American Husserl Scholars, Thomas Nenon and Michela Beatrice Ferri
Autographic and Allographic Imitation: Revisiting Counterfeit in Linguistic and Musical Arts, Jeremy Orosz
Lil Nas X, the “Old Town Road,” and the (f)utility of genre labels, Jeremy Orosz
Using inventory data to enhance music collections, Joel Roberts and Rachel Scott
Submissions from 2018
A content analysis of beginning instrumental music recruitment materials: Comparing elementary and adult learning contexts, Josef Hanson
Vienna’s ursuline convent and the Via Allemagna: Travel, music, letters, Janet K. Page
Submissions from 2017
Exploring Relationships between K-12 Music Educators' Demographics, Perceptions of Intrapreneuring, and Motivation at Work, Josef Hanson
Rhythmic variability in language and music of Latino and Latino-inspired composers, Josef Hanson
Working around the erm: Automating accurate electronic serials holdings data in bibliographic records, Caitlin Harrington and Rachel Scott
You Can't Fight Fake News with More CRAAP, Carl Hess
Wooster the musician, Kenneth Kreitner
Heidegger's pragmatist readers, Thomas Nenon
What we Learned about Quicksearch (and didn't) from the “Top Search Terms” Report: By James R. Rodgers and Caitlin Harrington, University of Memphis, James R. Rodgers and Caitlin Harrington
Submissions from 2016
Wooster the musician, Kenneth Kreitner
Confrontations with Modernity, Thomas Nenon
Effect of self-listening on self-evaluation accuracy, Nancy L. Summitt and Ryan A. Fisher
Submissions from 2015
After the flood: Lessons learned from small- scale disasters, Gerald Chaudron
Flipping the One Shot, Carl Hess
What Are They Doing in There?, Carl Hess
Husserl's god in the fichte lectures from 1917-1918, Thomas Nenon
Husserl and Heidegger on the Social Dimensions of the Life-World, Tom Nenon
John Williams: Paraphraser or Plagiarist?, Jeremy Orosz
Effects of Conducting Plane on Band and Choral Musicians Perceptions of Conductor and Ensemble Expressivity, Brian A. Silvey and Ryan A. Fisher
Submissions from 2014
The impacts of the voice change, grade level, and experience on the singing self-efficacy of emerging adolescent males, Ryan A. Fisher
Jacob Guth in montrose: A town band in Central Pennsylvania, 1888-1897, Kenneth Kreitner
Spain discovers the mass, Kenneth Kreitner
Edmund Husserl, Thomas Nenon
Immanuel kant’s turn to transcendental philosophy, Thomas Nenon
Introduction, Thomas Nenon
Kant, kantianism, and idealism: The origins of continental philosophy, Thomas Nenon
Can't touch me: Television cartoons and the paraphrase of popular music, Jeremy W. Orosz
Submissions from 2013
Obsession: New Zealand, Money and the League of Nations, 1920-35, Gerald Chaudron
Fact or Facebook, Carl Hess
Reflective Learning in Undergraduate Information Literacy Classes, Carl Hess
Teaching Social Information Literacy to Undergraduates, Carl Hess
Intersubjectivity, Interculturality, and Realities in Husserl’s Research Manuscripts on the Life-World (Hua XXXIX), Thomas Nenon
Martin Heidegger and Grounding of Ethics, Thomas J. Nenon
Fifteenth biennial international conference on baroque music, Janet K. Page
Submissions from 2012
New Zealand’s international initiation: Sir James Allen at the League of Nations 1920–1926, Gerald Chaudron
Effects of manual/pedal movement, tempo, and gender on accuracy of steady beat in kindergarten students, Paige Rose, Ryan Fisher, and Sally Shewmaker
Submissions from 2011
The League of Nations and Imperial Dissent: New Zealand and the British Labour Governments, 1924-31, Gerald Chaudron
Freedom, Responsibility and self-awareness in Husserl, Thomas Nenon
Philosophy as fallible science, Thomas Nenon
The Limits of Biomedical Ethics and the Specific Role of Phenomenology in Biomedical Ethics, Thomas Nenon
Submissions from 2010
Introduction, Philip Blosser and Thomas Nenon
Effect of ethnicity on the age of onset of the male voice change, Ryan A. Fisher
Response, Kenneth Kreitner
Advancing Phenomenology as a Practical Endeavor, Thomas Nenon
(Early Music 410), Janet Page
'A lovely and perfect music': Maria Anna von Raschenau and music at the Viennese convent of St Jakob auf der Hülben, Janet K. Page
Convent music and politics in eighteenth-century vienna, Janet K. Page
Submissions from 2009
The repertory of the Spanish cathedral bands, Kenneth Kreitner
Submissions from 2008
The potential of "function" as an archival descriptor, Gerald Chaudron
Juan de Anchieta and the rest of the world, Kenneth Kreitner
Some differences between Kant's and Husserl's conceptions of transcendental philosophy, Thomas J. Nenon
Submissions from 2007
What’s the ballyhoo about blogs?, Jennifer Arnold, Lloyd Chittenden, Ellis, and Elizabeth McDonald
Guide to trombone/euphonium doubling, John Mueller
Comments on Steven Crowell's "phenomenology and the first-person character of philosophical knowledge", Thomas Nenon
Submissions from 2006
The RFP process at the University of Memphis: A work in progress, Elizabeth McDonald, Jerry R. Brown, and Elizabeth McDonald
Submissions from 2005
The balance point, Kay G. Johnson, Bridget H. Miller, Elizabeth McDonald, and Jia Mi
The balance point: Jumping through the Hoops: Serials librarians' reflections on tenure, reappointment and promotion experiences in academia, Kay G. Johnson, Bridget H. Miller, Elizabeth McDonald, and Jia Mi
Cataloguing without tears: Managing knowledge in the information society, Elizabeth McDonald
Tools of the serials trade, Kathryn Wesley, Elizabeth McDonald, McGill, and Nicole E. Abbott
Submissions from 2004
The musical warhorses of Juan de Urrede, Kenneth Kreitner
Submissions from 2003
Ave festiva ferculis and Josquin's Spanish reputation, Kenneth Kreitner
The cathedral band of León in 1548, and when it played, Kenneth Kreitner
Husserl's conception of reason as authenticity, Thomas Nenon
Submissions from 2001
On “hegel and institutional rationality”, Thomas Nenon
Editor’s introduction, Tom Nenon
Submissions from 2000
Submissions from 1999
Music and the royal procession in Maria Theresia's Vienna, Janet K. Page
Submissions from 1998
Bad news, or not? Thoughts on Renaissance performance practice, Kenneth Kreitner
